[{"id":"52782","idText":"","urlFriendlyName":"zhang-guolao-rides-backwards-on-donkey","parentId":"0","userId":"44","sectionId":"171","contentTypeId":"42","langId":"1","timeCreated":"2025-12-10 12:42:43","timePublished":"2026-04-10 08:00:58","timePublishedDisplay":"0","timeUpdated":"2026-04-09 16:19:22","orderByTime":"2026-04-10 08:00:58","ip":"72.43.130.26","title":"Taoist Master Zhang Guolao: The Eccentric Immortal Who Rode Backwards","lastRevisionId":"0","protectMode":"1","password":"","passwordHint":"","commentNum":"0","ratingNum":"0","ratingAvg":"0","adminRefTime":null,"recommend":"0","sourceType":null,"commentEnable":"0","commentDisplay":"0","commentNeedApproval":"0","showOnWhatsnewAllPost":"1","status":"1","metaDescription":"Chinese lore tells of the Eight Immortals. Here we meet one of the most eccentric among them. But why did he ride backwards on his flying donkey?","metaKeywords":"","metaTitle":"Taoist Master Zhang Guolao: The Immortal Who Rides Backwards","userModified":"46","notes":"","contentTypeName":"learnArticle","totalCount":"1015","username":"leeshail","userUpdated":"jingx","sectionName":"(English) Learn Article","extra":{"id":"2771","contentId":"52782","featured":"0","imageLeading":"22825","imageCaption":"","imageFeaturedArticle":"","imageTopHeader":"22825","imageBackgroundLevel2":"0","imageGallery":"","imageGalleryCaption":"","introduction":"Chinese lore tells of the Eight Immortals. Here we meet one of the most eccentric among them. But why did he ride backwards on his flying donkey?","body":"
Beneath mist-covered peaks, an old man moseys along a narrow path riding a donkey—but he sits backward, facing its tail. Villagers watch in bewilderment as he passes with his tattered clothes and soft, carefree laugh. This is Master Zhang Guolao, one of the Eight Immortals of Taoism—legendary figures said to have achieved enlightenment through their own unique ways.<\/p> \r\n\r\n
Of all Eight Immortals, Master Zhang became one of the most frequently depicted in Chinese art and literature. Through these and countless retellings, he emerges as an archetypal Taoist immortal: wise, whimsical, and unfettered by ordinary life.<\/p>\r\n\r\n
An Elusive Sage<\/strong><\/p>\r\n\r\n During the Tang Dynasty, around the seventh, or perhaps eighth century, word of a wise and cheerful Taoist recluse spread beyond the valleys he roamed. When news of his good deeds and miraculous powers reached the capital, multiple Tang emperors sought his counsel. Yet Master Zhang refused each imperial invitation, preferring solitude in the mountains.<\/p> \r\n\r\n Even the formidable Empress Wu Zetian could not command him. Pressed to appear before her, the old immortal supposedly collapsed on the road and “died.” His body decayed within hours—until, not long after, travelers spotted him alive and well back in the mountains. For Master Zhang, death was just another illusion to shed at will.<\/p>\r\n\r\n Years later, Emperor Tang Xuanzong begged him to visit the palace. This time, Master Zhang agreed and rode to the palace on his magical donkey, an animal said to travel a thousand miles in a day. When the immortal arrived at the capital, he magically transformed the donkey into a piece of paper, folded the creature up, and tucked it away.<\/p> \r\n\r\n At the palace, the emperor found his guest both amusing and mystifying. When invited to drink, Master Zhang warned that he could handle little wine but had a “disciple” who could drink much more. He clapped his hands, and from the palace rafters descended a young man. The “disciple” drank cup after cup until, to everyone’s astonishment, he suddenly transformed into a golden goblet brimming with wine. Master Zhang chuckled, “My disciple has become what he drank.”<\/p>\r\n\r\n After entertaining the royal court, the old immortal pulled out the small paper donkey from his satchel and, with a gentle puff of breath, the donkey sprang to life. Master Zhang then distracted the emperor and his courtiers, took his leave of the palace, and flew off on his donkey into the clouds, his laughter fading in the wind.<\/p>\r\n\r\n Why backwards?<\/strong><\/p>\r\n\r\n In paintings and sculptures, Master Zhang is instantly recognizable—a jovial old man riding backward on his donkey. The image is playful, yet it carries profound meaning.<\/p>\r\n\r\n Riding backward, Master Zhang turns away from the clamor of ambition and the pursuit of personal gain. He moves against the current of the mundane world, reminding us that the way to true freedom lies not in worldly pursuits, but in letting go—returning to simplicity, stillness, and one’s original purity.<\/p>\r\n\r\n This classic story is retold in Shen Yun’s 2026 dance<\/em> The Legend of Master Zhang Guolao.<\/p>","contentRelated":"35096,43154,42183","usePhotoGalleryTemplate":"0","audioLink":"","tag":"","imageSquareId":"22826"},"ext":{"id":"2771","contentId":"52782","featured":"0","imageLeading":"22825","imageCaption":"","imageFeaturedArticle":"","imageTopHeader":{"fileId":"22825","fileName":"ZhangGuolao-header.jpg","title":"ZhangGuolao Header","alt":"ZhangGuolao Header","timeCreated":"2026-04-02 17:10:02","mimeType":"image\/jpeg","original":"https:\/\/www.shenyunperformingarts.org\/data\/image\/original\/2026\/04\/02\/69ebf66b3de72cc233fe47eb0cb8d48f.jpg","thumb":"https:\/\/www.shenyunperformingarts.org\/data\/image\/thumb\/2026\/04\/02\/69ebf66b3de72cc233fe47eb0cb8d48f.jpg","small":"https:\/\/www.shenyunperformingarts.org\/data\/image\/small\/2026\/04\/02\/69ebf66b3de72cc233fe47eb0cb8d48f.jpg","medium":"https:\/\/www.shenyunperformingarts.org\/data\/image\/medium\/2026\/04\/02\/69ebf66b3de72cc233fe47eb0cb8d48f.jpg","big":"https:\/\/www.shenyunperformingarts.org\/data\/image\/big\/2026\/04\/02\/69ebf66b3de72cc233fe47eb0cb8d48f.jpg"},"imageBackgroundLevel2":"0","imageGallery":"","imageGalleryCaption":"","introduction":"Chinese lore tells of the Eight Immortals. Here we meet one of the most eccentric among them. But why did he ride backwards on his flying donkey?","body":" Beneath mist-covered peaks, an old man moseys along a narrow path riding a donkey—but he sits backward, facing its tail. Villagers watch in bewilderment as he passes with his tattered clothes and soft, carefree laugh. This is Master Zhang Guolao, one of the Eight Immortals of Taoism—legendary figures said to have achieved enlightenment through their own unique ways.<\/p> \r\n\r\n Of all Eight Immortals, Master Zhang became one of the most frequently depicted in Chinese art and literature. Through these and countless retellings, he emerges as an archetypal Taoist immortal: wise, whimsical, and unfettered by ordinary life.<\/p>\r\n\r\n An Elusive Sage<\/strong><\/p>\r\n\r\n During the Tang Dynasty, around the seventh, or perhaps eighth century, word of a wise and cheerful Taoist recluse spread beyond the valleys he roamed. When news of his good deeds and miraculous powers reached the capital, multiple Tang emperors sought his counsel. Yet Master Zhang refused each imperial invitation, preferring solitude in the mountains.<\/p> \r\n\r\n Even the formidable Empress Wu Zetian could not command him. Pressed to appear before her, the old immortal supposedly collapsed on the road and “died.” His body decayed within hours—until, not long after, travelers spotted him alive and well back in the mountains. For Master Zhang, death was just another illusion to shed at will.<\/p>\r\n\r\n Years later, Emperor Tang Xuanzong begged him to visit the palace. This time, Master Zhang agreed and rode to the palace on his magical donkey, an animal said to travel a thousand miles in a day. When the immortal arrived at the capital, he magically transformed the donkey into a piece of paper, folded the creature up, and tucked it away.<\/p> \r\n\r\n At the palace, the emperor found his guest both amusing and mystifying. When invited to drink, Master Zhang warned that he could handle little wine but had a “disciple” who could drink much more. He clapped his hands, and from the palace rafters descended a young man. The “disciple” drank cup after cup until, to everyone’s astonishment, he suddenly transformed into a golden goblet brimming with wine. Master Zhang chuckled, “My disciple has become what he drank.”<\/p>\r\n\r\n After entertaining the royal court, the old immortal pulled out the small paper donkey from his satchel and, with a gentle puff of breath, the donkey sprang to life. Master Zhang then distracted the emperor and his courtiers, took his leave of the palace, and flew off on his donkey into the clouds, his laughter fading in the wind.<\/p>\r\n\r\n Why backwards?<\/strong><\/p>\r\n\r\n In paintings and sculptures, Master Zhang is instantly recognizable—a jovial old man riding backward on his donkey. The image is playful, yet it carries profound meaning.<\/p>\r\n\r\n Riding backward, Master Zhang turns away from the clamor of ambition and the pursuit of personal gain. He moves against the current of the mundane world, reminding us that the way to true freedom lies not in worldly pursuits, but in letting go—returning to simplicity, stillness, and one’s original purity.<\/p>\r\n\r\n This classic story is retold in Shen Yun’s 2026 dance<\/em> The Legend of Master Zhang Guolao.<\/p>","contentRelated":"35096,43154,42183","usePhotoGalleryTemplate":"0","audioLink":"","tag":"","imageSquareId":{"fileId":"22826","fileName":"ZhangGuolao-square.jpg","title":"ZhangGuolao Square","alt":"ZhangGuolao Square","timeCreated":"2026-04-02 17:11:26","mimeType":"image\/jpeg","original":"https:\/\/www.shenyunperformingarts.org\/data\/image\/original\/2026\/04\/02\/f10a50dc1a125c20236ec09aa242c36b.jpg","thumb":"https:\/\/www.shenyunperformingarts.org\/data\/image\/thumb\/2026\/04\/02\/f10a50dc1a125c20236ec09aa242c36b.jpg","small":"https:\/\/www.shenyunperformingarts.org\/data\/image\/small\/2026\/04\/02\/f10a50dc1a125c20236ec09aa242c36b.jpg","medium":"https:\/\/www.shenyunperformingarts.org\/data\/image\/medium\/2026\/04\/02\/f10a50dc1a125c20236ec09aa242c36b.jpg","big":"https:\/\/www.shenyunperformingarts.org\/data\/image\/big\/2026\/04\/02\/f10a50dc1a125c20236ec09aa242c36b.jpg"},"imageDataDisplay":{"fileId":"22825","fileName":"ZhangGuolao-header.jpg","title":"ZhangGuolao Header","alt":"ZhangGuolao Header","timeCreated":"2026-04-02 17:10:02","mimeType":"image\/jpeg","original":"https:\/\/www.shenyunperformingarts.org\/data\/image\/original\/2026\/04\/02\/69ebf66b3de72cc233fe47eb0cb8d48f.jpg","thumb":"https:\/\/www.shenyunperformingarts.org\/data\/image\/thumb\/2026\/04\/02\/69ebf66b3de72cc233fe47eb0cb8d48f.jpg","small":"https:\/\/www.shenyunperformingarts.org\/data\/image\/small\/2026\/04\/02\/69ebf66b3de72cc233fe47eb0cb8d48f.jpg","medium":"https:\/\/www.shenyunperformingarts.org\/data\/image\/medium\/2026\/04\/02\/69ebf66b3de72cc233fe47eb0cb8d48f.jpg","big":"https:\/\/www.shenyunperformingarts.org\/data\/image\/big\/2026\/04\/02\/69ebf66b3de72cc233fe47eb0cb8d48f.jpg"}},"eId":"EAAEsNYrgYI","eid":"EAAEsNYrgYI","sectionEId":"4Xf5v5e5JTU","contentTypeEId":"tw6mwQ-uYgE","timeDisplay":"April 10, 2026","seoUrl":"_EAAEsNYrgYI\/zhang-guolao-rides-backwards-on-donkey.html","url":"\/explore\/view\/article\/e\/EAAEsNYrgYI\/zhang-guolao-rides-backwards-on-donkey.html","contentTypeNameDisplay":"Explore"},{"id":"53228","idText":"","urlFriendlyName":"artistic-freedom","parentId":"0","userId":"46","sectionId":"27","contentTypeId":"34","langId":"1","timeCreated":"2026-04-07 17:02:55","timePublished":"2026-04-07 16:54:57","timePublishedDisplay":"0","timeUpdated":"2026-04-07 17:30:59","orderByTime":"2026-04-07 16:54:57","ip":"72.43.130.26","title":"Beijing\u2019s Campaign Against Shen Yun Tests Resolve of the West to Defend Artistic Freedom","lastRevisionId":"0","protectMode":"1","password":"","passwordHint":"","commentNum":"0","ratingNum":"0","ratingAvg":"0","adminRefTime":null,"recommend":"0","sourceType":null,"commentEnable":"0","commentDisplay":"0","commentNeedApproval":"1","showOnWhatsnewAllPost":"1","status":"1","metaDescription":"Shen Yun Performing Arts is deeply concerned that a new and dangerous level has been reached in the Chinese regime\u2019s crusade to silence voices in the West.","metaKeywords":"","metaTitle":"Beijing\u2019s Campaign Against Shen Yun Tests Resolve of the West to Defend Artistic Freedom","userModified":"46","notes":"","contentTypeName":"pressRelease","totalCount":"1254","username":"jingx","userUpdated":"jingx","sectionName":"(English) Press Releases","extra":{"id":"477","contentId":"53228","featured":"1","location":"","introduction":"Shen Yun Performing Arts is deeply concerned that a new and dangerous \r\nlevel has been reached in the Chinese regime’s crusade to silence voices\r\n in the West.","body":" April 07, 2026<\/p> Shen Yun Performing Arts is deeply concerned that a new and dangerous level has been reached in the Chinese regime’s crusade to silence voices in the West.<\/p> For nearly two years, our company has faced an intensifying campaign of intimidation intended to disrupt our performances and stifle our message. This has included more than 150 hoax bomb threats, mass shooting threats, and other violent threats directed at Shen Yun, the theaters where we perform, the schools our student performers attend, our families, and public officials who support our work.<\/p> While the safety of our audiences and performers remains our highest priority, law enforcement investigations have consistently determined these threats to be unfounded. They are not credible security risks but deliberate attempts to sow fear and pressure venues into canceling shows.<\/p> Investigations in multiple jurisdictions have linked these threats to actors operating from mainland China.<\/p> This past week, the pattern of threats resulted in the cancellation of scheduled performances for the first time in Shen Yun’s nearly two-decade history of touring to leading theaters worldwide. This represents a disturbing development in Beijing’s ability to impact our freedoms.<\/strong><\/p> The Chinese Communist Party (CCP) resorts to such tactics because Shen Yun presents an authentic portrayal of China’s traditional culture that celebrates the spiritual depth and moral values of a civilization thousands of years old—a heritage that existed long before the CCP seized power and sought to eradicate in order to impose Marxism. Our performances also depict the ongoing persecution of Falun Gong, a peaceful spiritual practice rooted in Buddhist traditions. For more than 25 years, its practitioners in China have endured mass detention, torture, deaths in custody, and forced organ harvesting, as documented by international human rights investigators.<\/p> By sharing these stories with audiences around the world, Shen Yun gives voice to truths the CCP seeks to erase. The threats against us are part of a broader effort by the CCP to suppress information.<\/p> What is at stake extends far beyond any single run of performances. These incidents are a litmus test of whether free societies will allow authoritarian intimidation to determine what art can be presented and what stories can be told.<\/p> If threats of violence succeed in disrupting artistic expression, they risk setting a dangerous precedent—one in which hostile foreign regimes can effectively veto cultural works in democratic nations. Censorship rarely begins with outright bans; it often starts with pressure that raises the cost of free expression until fear prevails.<\/p> This moment calls for clarity and resolve. Free nations must reaffirm that violence and threats will never dictate what art may be performed or what stories may be shared.<\/em><\/strong><\/p> We are profoundly grateful to theaters around the world that have stood firm against these threats. Working closely with local law enforcement, they have ensured our performances could proceed safely and have refused to let intimidation undermine their support for Shen Yun. We also extend our heartfelt thanks to our patrons, who have shown remarkable solidarity—sometimes waiting in the cold outside theaters while law enforcement conducted sweeps following bomb threats—and who have continued to offer enthusiastic support and countless words of encouragement to our artists.<\/p> We urge governments and law enforcement authorities to continue their investigations and hold those responsible accountable. We encourage cultural institutions to rely on the expertise of security professionals and, when threats are determined to be unfounded, to stand firm against attempts to silence artistic expression through fear.<\/p> Ultimately, the question is not whether intimidation will occur, but whether it will succeed. The answer must be clear: fear will never determine the limits of what voices are heard in the free world. Standing firm today ensures that the stage remains a place for authentic artistic expression, not one where coercion sets the boundaries.<\/p>","tag":"","imageId":"21740","imageIdFeatured":"0","videoLink":"","videoId":"0","contentRelated":"52920,52767,52860,52390","imageSquareId":"0","showOnNewsPage":"0"},"ext":{"id":"477","contentId":"53228","featured":"1","location":"","introduction":"Shen Yun Performing Arts is deeply concerned that a new and dangerous \r\nlevel has been reached in the Chinese regime’s crusade to silence voices\r\n in the West.","body":" April 07, 2026<\/p> Shen Yun Performing Arts is deeply concerned that a new and dangerous level has been reached in the Chinese regime’s crusade to silence voices in the West.<\/p> For nearly two years, our company has faced an intensifying campaign of intimidation intended to disrupt our performances and stifle our message. This has included more than 150 hoax bomb threats, mass shooting threats, and other violent threats directed at Shen Yun, the theaters where we perform, the schools our student performers attend, our families, and public officials who support our work.<\/p> While the safety of our audiences and performers remains our highest priority, law enforcement investigations have consistently determined these threats to be unfounded. They are not credible security risks but deliberate attempts to sow fear and pressure venues into canceling shows.<\/p> Investigations in multiple jurisdictions have linked these threats to actors operating from mainland China.<\/p> This past week, the pattern of threats resulted in the cancellation of scheduled performances for the first time in Shen Yun’s nearly two-decade history of touring to leading theaters worldwide. This represents a disturbing development in Beijing’s ability to impact our freedoms.<\/strong><\/p> The Chinese Communist Party (CCP) resorts to such tactics because Shen Yun presents an authentic portrayal of China’s traditional culture that celebrates the spiritual depth and moral values of a civilization thousands of years old—a heritage that existed long before the CCP seized power and sought to eradicate in order to impose Marxism. Our performances also depict the ongoing persecution of Falun Gong, a peaceful spiritual practice rooted in Buddhist traditions. For more than 25 years, its practitioners in China have endured mass detention, torture, deaths in custody, and forced organ harvesting, as documented by international human rights investigators.<\/p> By sharing these stories with audiences around the world, Shen Yun gives voice to truths the CCP seeks to erase. The threats against us are part of a broader effort by the CCP to suppress information.<\/p> What is at stake extends far beyond any single run of performances. These incidents are a litmus test of whether free societies will allow authoritarian intimidation to determine what art can be presented and what stories can be told.<\/p> If threats of violence succeed in disrupting artistic expression, they risk setting a dangerous precedent—one in which hostile foreign regimes can effectively veto cultural works in democratic nations. Censorship rarely begins with outright bans; it often starts with pressure that raises the cost of free expression until fear prevails.<\/p> This moment calls for clarity and resolve. Free nations must reaffirm that violence and threats will never dictate what art may be performed or what stories may be shared.<\/em><\/strong><\/p> We are profoundly grateful to theaters around the world that have stood firm against these threats. Working closely with local law enforcement, they have ensured our performances could proceed safely and have refused to let intimidation undermine their support for Shen Yun. We also extend our heartfelt thanks to our patrons, who have shown remarkable solidarity—sometimes waiting in the cold outside theaters while law enforcement conducted sweeps following bomb threats—and who have continued to offer enthusiastic support and countless words of encouragement to our artists.<\/p> We urge governments and law enforcement authorities to continue their investigations and hold those responsible accountable. We encourage cultural institutions to rely on the expertise of security professionals and, when threats are determined to be unfounded, to stand firm against attempts to silence artistic expression through fear.<\/p> Ultimately, the question is not whether intimidation will occur, but whether it will succeed. The answer must be clear: fear will never determine the limits of what voices are heard in the free world. Standing firm today ensures that the stage remains a place for authentic artistic expression, not one where coercion sets the boundaries.<\/p>","tag":"","imageId":"21740","imageIdFeatured":"0","videoLink":"","videoId":"0","contentRelated":"52920,52767,52860,52390","imageSquareId":"0","showOnNewsPage":"0","imageDataDisplay":{"fileId":"21740","fileName":"whats-new-general-large2.jpg","title":"Whats New General Large2","alt":"Whats New General Large2","timeCreated":"2024-01-23 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challenges as a young musician, learning to move beyond self-doubt, and discovering how true expression in music comes not from technique alone, but from sincerity and inner growth.","metaKeywords":"","metaTitle":"Inside Shen Yun: A Violist on Humility, Faith, and Finding Her Voice","userModified":"46","notes":"","contentTypeName":"video","totalCount":"26","username":"jingx","userUpdated":"jingx","sectionName":"(English) Videos","extra":{"id":"4058","contentId":"53162","typeId":"1","videoId":"0","imageIdForVideo":"22824","imageIdPreview":"22824","imageIdFeatured":"0","imageIdFeaturedDesktop":"0","imageIdFeaturedMobile":"0","imageFacebookShare":"0","videoLink":"","videoLink480":"","videoLink720":"","videoLink1080":"","embeddedVideoGJW":"1ieao6oodp46FW9DWqdYfQxUl15a1c","embeddedVideoSYC":"","onDemandLink":"","length":"04:54","featured":"0","onCityPage":"0","description":"In this interview, Shen Yun principal violist Rachel Chen shares her journey from early musical training to performing 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our performers made a special stop between shows\u2014swapping the stage for the red carpet. ","metaKeywords":"","metaTitle":"Shen Yun Performers Attend 'Unbroken' Documentary Premiere","userModified":"46","notes":"","contentTypeName":"news","totalCount":"26812","username":"jingx","userUpdated":"jingx","sectionName":"(English) News","extra":{"id":"24887","subtitle":"","location":"","contentId":"53095","importance":"3","isFeaturedNewsArticle":"1","isFeaturedNewsVideo":"1","isShortNews":"0","onCityPage":"0","introduction":"As Shen Yun’s 2026 world tour continues, some of our performers made a \r\nspecial stop between performances—swapping the stage for the red carpet.","body":" As Shen Yun’s 2026 world tour continues, some of our performers made a special stop between performances—swapping the stage for the red carpet. <\/p>\r\n\r\n They joined filmmakers and VIP guests at the global premiere of “Unbroken: The Untold Story of Shen Yun,” on Tuesday, March 24 at AMC Lincoln Square in New York City. The release of the new award-winning documentary by NTD’s Sincere Pictures comes just as Shen Yun celebrates its 20th anniversary.<\/p>\r\n\r\n
<\/strong><\/div>\r\n\r\n\r\n